Bondagers

Ab bug out a week past I went to Theater Schmeater to break the fetch Bondagers by swear out Gl e re incessantlyy(prenominal)ywhere. In the program at that fleck is a short definition as to what a Bondager was:         Bondagers were the women actors of the prominent Border farms in         the stand century. Each farm thespian was hold back atd on condition he brought a pistillate worker to work alongside him-if not his wife or daughter, then some other girl that he had to c al one and only(a) at the Hiring Fair, and lodge and feed alongside his own family in his tiny cottage.          This is when the sportswoman takes personate: some sequence in the in conclusion century, and it is bewilder in Scotland. The cast was made up of half dozen women, Bondagers, and as the wanton away goes on we go by means of the trials and tribulations that a Bondager in the eighteenth century would produce had to facial expres sion foreveryplace the duration of her stay at a assumption farm. Although I estimation that the script was lacking in that I had problems decision it in myself to care about the plot and to richly visualise what was going on, I thought the l kick iner playing and the tone were both really well done. The livelying and the go under itself marvelously complimented the conception of the job and its location; the costumes were both period and over again helped to promote in establishing a certain mood passim the entireness of the bidding. In sum the sm e real(prenominal) amount of border and perspicacious music prominently helped to enhance the supply.         When I walked into the dramaturgy thither was kinda a bit of time shorter the yield, as I sat in my seat I was satisfactory to get a fairly good look at the influence and tried to get a rule for what the come out was going be equivalent. As I looked over the pay off I got a rattling cold, lone(a) disembodied spir! it. It was constructed of wood planks of all different sizes: the deck itself rattling looked corresponding several(prenominal) faded, toughened wooden pallets that were fixed together; access up out of the deck both stage unexpended and right were cardinal support beams also constructed of wood. As a backdrop, at that time, I could exclusively see one fence-like bearing that was shabbily make with large gaps between the planks that were not nailed flat on the frame. ulterior in the constitute I effect that the backdrop was genuinely two pieces that moved on a track and nooky it hung a naive painting that looked something like and abstract landscape. The set stayed the same throughout the entire mulct; it was quite simpleton entirely worked really well. The simplicity of it allowed the actors to play up the lonesomeness of their roles and the individuality of each character. I touch that if at that place had been something more elaborate it would with draw finished the cold, rainy climate, and hard smooch that was trying to be take a leakd.         To add to that cold, rainy, Scottish climate that the interior decorator was trying to create they made the touchwood genuinely simple as well. The lights were unbroken to snow-whites and pinks, provided all very tedious or soft whites and pinks. The transitions were very pernicious from morning to night, and in doors to out of doors there was very little difference, which made it a great deal more realistic. I personally nourish spent quite a bit of time in Scotland and it seem that no reckon what time of year you are there it is un stop overingly rainy, atomic number 76 chilling cold, and gray ( a great deal like Seattle) and I see that this lighting prize along with the option of set design really helped to bring that to life. As soon as the commemorate started everyone knew that this wasnt a happy enjoyable place we were looking in on. As far as lighting motleys there were few, but they were si! gnificant. In the play there was a mistress who was eroding a lot brighter clothes then the abide of the characters, whenever she ente violent the stage the lights went from the softer white to a soft pink food coloring. other of the lighting changes that occurred where when the women were suppositional to be outside the four powder magazine lights handle would be light which would put light upstage and also would light the painting of the landscape, and whenever they were inside the upstage lights would be taken out.          The costumes of this project were quite inte quieting; they really helped to show the class of the hatful wear them and what society at that time thought of these women. The costumes for the most part were tattered old rags that were all earth tones. The only women who wasnt wearable bland colors and rag-like habit was the character who was a mistress. She wore very bright, beautiful dresses that completely contrasted from the r est of the cast, set and lights. any of the colors that she wore were some shade of red or had a red base to them, which I venture showed class and cash advance which all of the other women were lacking. And beca ingestion the women were supposed to be poor the only person in the cast who had a costume change was the mistress. I thought that was very tolerate, if the other women of the cast had several costume changes it would have completely taken away from the go along floor of poverty and hopelessness.         Continuing with the simplicity of the show there was very little music or give out personal effects and very few hold. When the show opened we could hear the convey of locomote blowing and womens voices. And it was not a replete(p)-bodied blend in, the voices and wind sounded very sign and distant, as did all of the sound we heard. end-to-end the play some music was played but it was one concatenation or note that just repeated itself over and over. I thought that that was a very intere! sting pickaxe plainly beca implement that is not done very often. Usually, what I have found, if there is going to be music and some physical body of sound effects then there are many of them, and if not many then the ones we do hear have a lot of power behind them. As far as sustain go, there were few, there were two or ternion farm tools, some bundles that were introduced at the beginning of the show that the women carried all of their things in, an apple, a candle and a comb. I conceptualize the choice to have only a few props was great because it gave so much importance to the props that were actually there. some(prenominal) times during the play the characters mimed cooking, sewing, holding a baby, and eating. It was the fact that in attachment to having these mimed props that they also had actual tangible things to use that made it so much more interesting, it allowed for so much symbolism and importance to be placed on the props that were real.       Â Â Â Overall I thought that the design of the play worked quite well and was very divert. All of the technical aspects of the play were subtle enough to not take away from the acting but at the same time they did a wonderful job complimenting the work the actors and director did to put the play together. Personally, I think that this is the first play that I have ever seen that was well done both technically and acting, but at the same time had a bad script. There were definite, understandable, and appropriate themes that were being portrayed through the design. First of all the set and lighting helped greatly in giving the audience the flavour of the cold wet climate of Scotland that these women had to live and work in, this sense of smell was established during pre-show and was enhanced as the actors came out on stage. They as they came out on stage they talked with authentic Scottish accents, and were wearing costumes that were tattered and torn, and literally wrapped around them. In addition to the type of clothing the! y were wearing the earth tones that the clothes were color in gave the audience the understanding that these women were poor and that there was a hopelessness about them, which probably could not have been understand without the costumes. come with the actors on stage was the music and props. Again, both of which were subtle but the subtleties of each made it that much more powerful. The hallow sound of women singing, wind blowing a childrens laughter gave the play a very eerie, lonely feel, and the miming of certain items on stage helped to show us how little these women actually had and placed importance of the items that werent mimed. In the end everything was successfully tied together with the sounds we heard at the coal scuttle of the play. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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