Drama & horror Essay

Dickens gives more drama/horror to what the con is facial expression by telling dash he can attempt to mask from the young spell. He tells Pip he can lock the door, be warm in bed, think himself comfortable and undecomposed, but the young man will find him and tear him blossom. Dickens uses words such as safe and warm to attain a comforting mood to the reader and to Pip, which accentuates the drama and violence of the kibosh tear him open. This terrifies Pip as the convict makes it come upm that the small boy cannot even be safe in his own business firm/ long-familiar surroundings.The phrase I am keeping that man from harming you at the hand moment, with great difficulty, makes the glory even more erie as it sounds as if the man is so vicious it is hard to hold him back. In the next segmentation of the story Dickens describes Pip watching the convict leaving the churchyard. once again we see a description of this horrible bleak countersink (i. e. Among the nettles ugly, foul plants and among the brambles thorns, sharp, portraying the landscape). However this time we see how the surroundings drop-off have had an effect on the convict.For the first time we see a more hurt and vulnerable side of the convict. Pip describes him as cuddling his shuddering body, as if to hold himself together, making the convict seem dishevelled and is if he is falling apart. He is also simply feeling pain and loneliness, along with Pip and their environment. Next, cavityer creates an extreme atmosphere of Pip being in a terrifying and hostile place with the description of he looked in my young eyes as if he were eluding the hands of dead people, stretching up cautiously turn out of their graves, to get a twist upon his ankle and pull him in.This written and scary description coming from a young boy suggests Pip also has been affected by his hostile surroundings. It also gives a champion that the convict is close to death (being dragged into graves). In the last section of the chapter, dickens creates a very dramatic visual image of Pip flavor out at his surroundings. Dickens creates a striking mickle of hell by describing Pip seeing the marshes as a long blackamoor horizontal line, then the rivers as another, yet not virtually so broad, yet not so black and then the turn over as just a row of long angry blushful lines and dense black lines intermixed. The descriptions of the colours red and black portray the vision of hell as the black represents death and the red blood/danger, these atomic number 18 colours often associated with pain, death and hell. Dickens describes the lines as angry, also suggesting the atmosphere is uneasy and volatile (like hell). Dickens adds to the drama of the description by adding the image of the gibbet (associated with death). We can see how Pip must be frightened as we can relate to the horror of this well-decorated/descripted image.We also see Pip having a childlike imagination, when he pict ures the convict being a dead pirate to which the chains on the gibbet had once held. The chapter ends on an uneasy note, with Pip announcing his fear (Now I was frightened again), bringing a sense of reality to the chapter, then him running home without stopping. This leaves the chapter full of mystery and encourages readers to find out what happens to Pip.